The Weight of Our Sky is one of the rarest Malaysian books I enjoy. I did tried a few that even prevent me from reading any further local author works... until this was released. I heard so much about it that I said to myself, alright I will read this and if its not good, I will never read another Malaysian written book ever. And for that, there were no regrets.
Melati Ahmad is a young 16 year-old girl with a Djinn inside her head that torments her with scenes of death of her mother. Taunting her in her daily life, the only way she can suppressed it is by counting of threes. On the day of 13th May, 1969, the inevitable happened and she was cut off from her mother when racial clash between three races happened in Kuala Lumpur. With the Djinn inside her head and Melati need to survive in one of the darkest history event in Malaysia, can Melati ever reunited with her mother without getting caught on both sides?
Fictional and yet, based on May 13th 1969 Racial Clash in Malaysia, I found myself engrossed in reading what would be a better young adult novel about Melati trying to survive and saving some others in need of help and looking for her mother. I love the style of writing and the constant flow of storytelling. Hanna Alkaf had done no other authors (those who wrote historical stories) dare - writing fiction based on May 13th. There is suspense and there is hope, and the genuine of how close reality was written. There are scenes of violence that may make you feel cringe and there scenes of sadness that may make you feel teary. What I like about it is its straightforwardness in telling this story. The characters are well-developed in a sense you can remember them. I always love Aunty Bee and Jaydev, no matter how supporting characters they are. Still, there are words that really are memorable - "Di mana bumi dipijak, di situ langit dijunjung". Absolutely real and priceless.
I am proud to say that this is one Malaysian book everyone should read. Ms. Hanna Alkaf is bold, brave and for her first English debut book on how she wants her book to written, truly a respectable author I am looking forward in the future to read more. If you have not read The Weight of Our Sky, its time to read it.
The real deal is the comic book version, not the movie adaptation. The movie was more of a friendly, nicer and fun comic with Jim Carreytaking the role of Stanley Ipkiss but for this original version, the comic takes place in characters that taken to wear the mask, and a more darker sinister approached but funnier than the movie. This is the second edition of an out-of-print omnibus of The Mask that collects The Mask, The Mask Returns and The Mask Strikes Back.
The Mask - When Stanley Ipkiss bought weird looking green color mask for his girlfriend Kathy, little did he know that what he holds will give him whatever he wish, true his dark side. Better known as Big-Head Killer, Ipkiss wretch havoc all over town and attracts mobsters and a giant named Walter that will stop him with any thing... if only they know the real power is in the mask.
The Mask Returns - The Big Head is back and now the mobster has it. More chaos, more havoc and more destruction... but is Big Head a 'he' or a 'she'. Lieutenant Kellaway had took the mask and took advantage of it and only Kathy will do any thing to stop Big Head... including Walter.
The Mask Strikes Back - When a young guy discovers the mask, his dreams come true - to be Big Head. Three of his friends too wants to be Big Head. The sighting of Big Head attracts Lieutenant Kellawayand the mob and will do any thing to stop the madness... including Walter.
The first two mini-series is a classic of its own. Writer John Arcudireally creates an interesting character that delves into the hidden desires of a person that corrupts a soul before the mask takes over. Doug Mahnke artwork had change to a more solid outline from the first appearance to the last (except for The Mask Strikes Back). While the second sequel pale in comparison of its two predecessors, this second edition is for those who missed out the first omnibus series, that has bad binding. This edition the binding is much more solid. If you haven't read The Mask of any of the comic books or you had enjoyed the movie adaptation but wants to read it (and believe me, its a whole different read), you can always pick up this edition at your local comic bookstores. I really love it.
Every book that is written has a certain importance on its plot. Whether it is a warning to the world of a certain disease that may wipe out mankind or if it is about standing up against bullying... or even if its about mending a broken heart, most authors clearly or try to pass their own words through writing their books for the readers to read. For Angie Thomas, it is clear her debut book has a voice of her own and its a voice about injustice through police brutality. Reading The Hate U Give truly speaks louder than the words written and really deserves a lot of attention, not just through writing but through what the message was meant to be.
Sixteen year-old Starr Carter had witnessed a murder that became a sensational news - a police officer shot her friend in cold-blood. For Starr, she was told to follow the rules when there's police around but now, the death of a close friend leads her two worlds collide - one that she hides well in a school she attends but another where Garden Heights is a place that isn't always safe when prejudice and street gangs rule and she has to make a choice - to speak up or to be silent forever.
I love The Hate U Give. I enjoyed so much of the writing because the world that Angie Thomas weave is real - the culture of the black people and the way they speak is real. What is even more real is how it portrays the injustice been down towards their race and how prejudice happened for their kind. There are a lot of layers to be read in this book and how this is one of the must-read-before-you-die kind of books should be picked up. When I read it, it opens up what I want to understand on their side of view - why racism is the way it is in America and why bias towards the black happens only in the ghetto. The message itself speaks out loud and people must read this book. There is so much more here that I don't want to spoil much but I can say, this book deserves a full star rating. If you haven't read this book, read it. Its an important young adult book by far, to me, deserves as one of the best literature book ever written.
Reading Holding Up the Universe, there are most parts of the book I didn't enjoy and only few I felt there is so much potential to explore but it just didn't hold it up for me. Another, I kept wondering how does this title connects with the plot or even the characters itself.
Libby Strout has a past she wants to forget but she is going to make a difference this year because this year she is making a come back - going back to school. Jack Masselin has a secret - one he has kept since he was six after a fall from a rooftop. When both of them meet, it wasn't some thing that hits it off too well between the two and accepted by others - a girl once dubbed as 'America's Fattest Teen' and a boy who everyone thought knew. But their past has a connection and falling in love wasn't part of it.
There are times I did make a comparison to All The Bright Places, not because of the theme but the way Jennifer Niven writes. Its almost similar in some aspects - every thing falls into place, some of the character's exchange of dialogue feels unreal and the ending feels rushed. Holding Up the Universe has that streak, but towards the end, there's some thing special that really brings out the book - a little hint of reality. While it does cover topics of bullying, cruelty towards teens and the same kind of angst teenagers go through, I can't help but wonder how does this title relates much to plot. Maybe I don't see it but in many ways, how does it relate to it? While for me the first act was weak, I was brought to my attention as to how the author brings out some thing personal and real to the emotions of hurt on these characters. Sadly, Jack Masselin doesn't strike me as a character that has personality, compare to Libby, who has it. Then again, the surface written plot lines kills all that.
Reading this gave me some mix feelings. I can't say I didn't like it but I can't say that I do like it. There are some good parts and bad in this book - for example, Libby is a brave teen that comes out from her own isolation despite how, once, she was shameful about her physical appearance. On the other, there is nothing with strong attributes that gives Libby the confidence with reasons of coming out from her own isolation that she put herself into and going back to school. There are a few others I just can't seem to accept on my own but while the last act brings out the flaws of moving forward after a past, which is a good part that reflects on reality, there are times the weight of the book that is too surface, pulls it back under the sea. Overall - its an okay read for me but for other readers, it might be otherwise.
We have read this before in the newspapers. We heard it from other people. Its a subject of taboo that we do not want to talk about... suicide. There are many reasons that leads to such a choice and its commonly known and read how suicides among teens do happened, of their own private reasons. I had read one such book before reading All the Bright Places, which to me... I wonder then when I first bought it few years back many readers gave good ratings. Of course, not every one gave it that high... and I am one of them.
I had issues with this book from the beginning. I had a few more some where in the middle. It was not until I am reading towards the end, I realize this is a story not about Theodore Finch - its about Violet Markey and how they met that one change another's life forever. How Violet copes with lost, and how Finch manage to help her with it. Still, there is some thing I did not like from the beginning. It was superficial, it wasn't realistic and it tries hard to make a realization of the main theme. I had mixed feelings as I read and towards the middle, I never care about the characters any more. I just do not know what I should really care about as I go along. It was until the 3rd act that I had guessed where its headed and how this heading feels... too thin. Every thing is just surface. There's nothing deeper to it and that gave me a reason to push forward to end my reading quick.
I can't say its horrible at all, as its not really that bad too. On the one hand, its pretty much straight path. Although trying to keep me guessing (even for other readers), the closure for this was bittersweet. What spoils it was the beginning and middle. I do understand what Jennifer Niven is pointing out and on her notes, its through her experience. Still, it suffers a lot in some ways I just felt what's holding my reading was if I bother to finish it and I did.
Overall - I felt a 3.5 out of 5 is a given. It would have been better if the characters are explored and the reasons are properly executed or laid out. What suffers it is what I said from above.
The medium of comics doesn't just revolve around superheroes alone, its a medium of the artistry and writer to express what they intend to give comic readers that illustrations is not just a man in a cape or a woman with a sword and a shield. Its about writing a good story, with illustrations that really tells a good story that doesn't talk about super powers but a story that talks about without them. I have been a fan of Transmetropolitan before The Authority or The Planetary, two most iconic comics that deals with some what superhero themes. Transmetropolitan is none of that - its about in the future and the people living in a nameless city in the perspective of one Spider Jerusalem, maniac psycho journalist who hates this place. A place where the citizens prefer to believe lies and fantasies and escape the reality of their troubles by shooting up drugs that are legal even if it harms the body, program shows like Sex Muppets that are shown to children is allowed and beating up an old woman who hassle a stranger is okay. No, this is just the side of what Transmetropolitan is - for its actual purpose of reading Transmetropolitan is about how we deal with the truth we kept denying to ourselves.
Collecting from issues #1 to #18, a short story from Vertigo: Winter's Edge #2 and I Hate It Here one-shot special, the Absolute Transmetropolitan Vol.1 is an absolute version to get as it includes not just the above I mention, but also some extras worth reading. To me, this is one edition I have been waiting for to get and when I finally get my hands on it, it completes what as a fan would say, the ultimate edition to own. What is it about? I am sure you have read some of the other reviews by now about this series but I will definitely do a write up but not here - some where where I will be comfortable with to do an absolute writing of Transmetropolitan but for now, this deserves my highest rating. Good binding with a slipcase and oversize, this is one edition that is a must get.
Finales are never easy to write, especially when it comes to expectations for readers or fans. Our Dark Duet ends with a certain adrenaline beginning that races towards the middle and ends with an unexpected closure. Its the pinnacle choice of what must be and has to be to make this duology a read some thing different worth picking up.
Picks up months after the events in This Savage Song, Kate Harker is hunting monsters in Prosperity. She is fearless and deadly until a new different kind of monster appears that force her to return to the one place she escape from - Verity. August Flynn is a Sunai hunting other monsters and has a role - to vanquish sinners, monster or even humans. But when the battle between the North and South of Verity is at a standstill still, the appearance of a new kind of monster is tipping the balance and it will take more than his violin to stop this Chaos Eater.
The sequel is so much better than the first - the pacing is fast, the delivery is better and it does not waste time into getting the chapters unfold of what's next in a direct way. I truly enjoy Our Dark Duet more than the first book. The ending perhaps is a choice I foresee that is inevitable and of course, there are great things involve. The character development is well crafted, as always. What I love most, is the interaction between the characters that is pretty much awesome. Overall - I love it better than before.
When Predator was released unexpectedly in 1987, it was one of the finest science fiction movie of its time since the release of Alien in 1979. In 1989, Dark Horse published Predator, the comic book series as an in-direct sequel to the movie before 1990 Predator 2. I have not read any of the comic versions until finally, I bought this... and I have some mix feelings towards it.
Predator: The Essential Comics Volume 1 features three reprinted mini-series that was published before over the years and one never before published adaptation of Predator 2 until now. In Predator: Concrete Jungle, the story takes place in New York city where during the hottest summer, the Predator is on the hunt again... except, he brings his compatriots. Detective Schaefer, brother of Major Alan "Dutch" Schaefer, together with Detective Rasche investigates the murders and the conspiracy of one certain general that was involved from the movie. As the Predators invade New York City, it take Schaefer and Rasche to save the day. In Predator: Cold War, the Predators are now in Siberia and once again, on the hunt. Schaefer and Rasche once again together with a beautiful Russian soldier will stop the Predators on their hunting game... only the Russian government and the American government and a certain general want the Predators technology. In Predator: Dark River, its summer all over again and this time, a crazed Predator from Schaefer's past returns and wreck havok in South America. Once again, Schaefer investigates and this time, he will put an end to it.
The comic book series is filled with a lot of one-liners and cheesy action. I can see that writer Mark Verheiden really love the movie and so, his style of writing is similar to how the 1980s are then but it doesn't get any better. Although I do feel the concept of the Predator universe is some what not understood, its not exactly the best of its own when it comes to reading. On art, Chris Warner and Ron Randalldid a good job capturing the presence of the characters. Its not really good and its not that terrible. Its just how it is when reading a Predator adaptation comic and felt as if a fan would have envision it. Overall for me, Predator: The Essential Comics Volume 1 would appeal to fans but not as an introductory story to those who are not familiar with.
The final volume of Gone series ends with a bang. Since the beginning of the first book, Light leads to its final showdown between the gaiaphage and the survivors of FAYZ as the children going against the darkness. Its pretty much a straight forward story that leads to a satisfying ending. While many supporting characters died in this volume, the ending matters a lot. Overall, Light ends the series with a bang that fans will be happy with.
It was in 1992 when 7 popular comic artist (Jim Lee, Rob Liefeld, Marc Silvestri, Erik Larsen, Todd McFarlane, Jim Valentino & Whilce Portacio) form Image Comics. In 1993, a new imprint called Darker Image show casing what they call a darker side of heroes with an anthology of three stories in a single issue featuring Sam Keith's Maxx, Jim Lee's Deathblow and Rob Liefeld's Bloodwulf. It was intended to be a 4 issue mini-series... but only the first was released and no more.
During a book sale, I found a copy of Deathblow deluxe edition for a very good price and I remembered more than 2 decades ago, I had mixed feelings about it after I read all 12 issues. Now, re-reading this edition not only brings out the good old days but also, what I finally understood the feelings then I go through that now I realize how badly written this comic turn out to be.
Deathblow is Michael Cray, a Team 7 soldier that is dying of cancer. On a mission to kill a dictator in Costa Mesa, he stumbles upon some thing supernatural and later in Baghdad, a similar occurrence happened but he killed a priest in the process. As the story flows, the whole story became biblical with words like armageddon, the release of Prince of Darkness, Black Angel, demons and four horsemen of apocalypse and every thing else from a military kind of story turns into a supernatural end of the world tale. I do have a big problem with such a change and in many ways, here's my complain.
The story is terrible. There's nothing really interesting when it comes to the plot itself. I had watched and read many stories about armageddon and this is probably one that feels like a fan boy trying very hard writing such a story. The dialogue is horrible. Its hard not to laugh it out and not easy to accept it that it feels forced when I read the exchange of words between the characters. And then of course, there is the style of writing - I just feel like maybe its paying a homage to Frank Miller's style of writing but trying too hard to copy that style. I feel so disappointed when I found out its written by Brandon Choi that this is not his best. Its laughable how terrible the execution and structure turns out to be that I just bear with it as I read it.
The art on the other hand for the first few pages is done by Jim Lee and a style seriously, again, trying to be like Frank Miller's Sin City. I mean, if this is another artist, I can say its a terrible copy. Although I love Jim Lee, this doesn't do too well in it. When Tim Sale took over the penciling chores, I feel this is not his best at all. There are moments where the eye can sustain the joy of looking but some times, it doesn't at all.
Deathblow is a mess. Its a mess trying to wow young comic readers for the art, not the story. For me, although its terrible, it does have some certain quality love towards it if I overlook the flaws (too many) of this book. For a cheap hardcover edition I paid for that doesn't cost a lot, I can say the price I paid that is cheap, is worth the price of the comic.
I am pretty much torn on this. There are things I like about This Savage Song, and there are some I don't. For instance, the world building isn't much impressive and although it has its own uniqueness, its not the kind that pulls the readers into the universe of Verity. There are other good points in this that I will point out.
Kate Harker is a Harker - a human living in a city filled with monsters. But a Harker is to be feared. A Harker controls one side of Verity with a shaky truce signed. August Flynn is a monster. He is the third Sunai of the Flynn that controls the other part of Verity. In the city of Verity, there are other monsters that lurks when the sun goes down. And the truce is about to be broken and war is imminent.
The beginning chapters feels like a Romeo and Juliet tale. A small introduction of Kate, why she is the way she is to prove herself to her father that she is a Harker and August, trying to fit in with the humans. When they meet, there is some thing exchange between them... until a Malchai attacks Kate that reveals some thing sinister is going on. The first act is slow and there are things I do not like how slow it can get. But after the third act itself, this is where it picks up well. It was towards the end that I thought this book ends as just one book but gave a reason why Our Dark Duet exist as the finale of the duology.
To me, this is probably the least like of the series. I actually didn't wanted to start reading Monsters of Verity for some months now but it did took me some time to finally pick this up and read... and took me one of the longest time to finish it. Its a different kind of approach from Victoria Schwab, one I felt she is trying some thing different. Although the creation of monsters is nothing unique, why I gave a four star rating is actually the second part of the book. It is how Victoria Schwab delivers the way she always does.
When James Cameron's Aliens was released in 1986, it was a sequel nobody knew that its better than the first. It was different, it was action-oriented and science-fiction has become a whole other level of entertainment. Fans wanted more and before 20th Century Fox release Alien 3 in 1992, there was the comics. At the height of it all, the 1980s and the 1990s comics has found a new kind of voice and with this new voice, they found a different kind of audience. So when Dark Horse Comics acquire the rights to release the sequel to Aliens in comic format, fans were thrilled and the released of Aliens issue 1 of 6 in July 1st, 1988, it became an instant bestseller! The rest, is history.
I have been waiting for a collection that I wanted to get my hands on as I am an Aliens fan (shamefully, not the biggest) and I love most of what Aliens are. The comic books, on the other hand, another matter. After I missed out my chance to collect the omnibus editions (which I had heard the binding was bad), the re-released of Aliens for this edition was something I look forward to. Aliens: The Essential Comics Vol.1 collects the first three books (Outbreak, Nightmare Asylum & Earth War) that became the trilogy of the sequel that follows up from Aliens. Sadly, I was disappointed by its execution. The story is mediocre. It wasn't any thing mind-blowing nor explore much of the universe that started from Ripley Scotts vision based on a story by Dan O'Bannon and Ronald Shusett. It was... boring. The first, which was Outbreak, had more words that can drive any comic book readers to become in a confuse state manner. There are too many things going around - a cult form over the alien sentient, a military corporation wanting the xenomorphs as a weapon, Newt (all grown up) felt abandoned and betrayed and lost and declared insane, Hicks, fueled with hatred against the aliens that killed his friends and a whole other supporting characters, which later made a mess of the whole arch. Then, the philosophy involvement of what truly happen that relates to the first movie, became a downfall to the first book.
The sequel, which was called then Book II (Nightmare Asylum) is no different. The approach is a little less whining but the content is no different with the exception of the return of Ripley. Remember, this was still before Alien 3. Then came the final arch story with Earth War, and every thing else, falls apart. It wasn't a good closure but it was a closure that marks Mark Verheiden ending his trilogy. Art wise, only Denis Beauvais is worth mentioning here. I didn't like Mark A. Nelson and Sam Keith art work at all.
The Essential Comics Volume 1 edition collects the first three books. The binding of the book is firm but its also easily creates a line at the bind. Paper quality wise is smooth. Its a book that's has its quality to savor for. Overall, I do like the cover and the universe of Aliens, even though the writing is terrible. This is truly a comic book trade paperback dedicated to fans who want more of Aliens.
The 90s was an experimental comic scene. It was bold, brave and daring even. When Dark Horse Comics under the imprint Blanc Noir release Body Bags, written and illustrated by Jason Pearson, I had no idea what to expect but filled with graphic violence, a simple yet action-packed sequences and probably one of the most despicable immoral tale of revenge involving a minor. The thing about this comic is... its an enjoyable good read.
Clownface had enough when a body bagger almost killed him and his partner and he is looking for revenge. When his daughter arrived on his doorstep after ten years apart, nothing gets worst than having his daughter wanted to be a body bagger in the action. With guys and knives are in the line of crossfire, Terminus City is about to get blown off.
I love Body Bags. Its simple, its fast and its the kind of action I enjoy most. With an edgy artwork to boot, every thing about Body Bags is worth a read. Although some may not agree due to the content graphic violence that spells despicable, I do find it honest on how its told and there is so much more to it than just action. While I do love the 80s scene, this comic is just right for my liking.
Series can be difficult to write for an author and of course, for me, I have never read any books beyond a trilogy as I prefer it to be short and sweet. Gone series by Michael Granthad surprise me in some - good flow of science-fiction, unraveling plots and twist and characters you understand them and seeing them change as the book series progress. This is the fifth in the 6 book series and Fear has reach its level of not just a good read but one I never thought I want to finish the series to know what happens next.
The FAYZ is going dark, literally. As dark shapes slowly covers the dome and the children of Perdido Beach panic in fear of what will happen when they are in the dark, Sam has to face his greatest fear - the dark. As others make decisions of what they need to do, the gaiaphage is making a move - one that involves Diana's baby. With the dark covering the dome, and the world outside of the dome are going to discover if the parents of the children of Perdido Beach will be able to see their children again, one thing is for certain - the battle has just begun.
Although I took too long to read this (since June, I have no excuse for this late reading and its entirely my fault not making the time for), Fear is the too good to be true not making it into an adaptation, one worthy as a TV series. There's just so much to go for (horror, action, romance, suspense) even though, yes the book is graphic in its violence description and really not for the weak stomach, Fear to me is like the ending of Empire Strikes Back. Overall, I just can't wait to read the next one and hopefully, buckle up my reading habit.
Reading Simon Vs. The Homo Sapiens Agenda makes me smile for a good reason. Its warm, funny and yet meaningful in many ways how I care about the characters. But what makes Simon special was how its written. Then came the spin-off, Leah on the Offbeat, where the central character is Leah Burke - totally opposite of Simon Spier; cynical teenager about how life is for her and how she view things in life that is negative in many ways. While Simon is light and filled with colorful characters, well on his point of view, Leah on the other hand is on what reality is - no fluffy bears but just judgmental on every thing. Its not bad, its just not that better and more of the same but less beautiful.
Following the events after Simon Vs. The Homo Sapiens Agenda, Leah Burke is in the band with Anna, Morgan and Nora, only its falling apart after college is on the horizon and with prom coming, suddenly things just seem to fall apart. Nick and Abby strangely aren't together as always, Morganhad offended Leah with a racist remark and Garrett seems to be in love with Leah, which is isn't. What matters worst is Leah's mum is in love with someone who isn't exactly someone Leah would like to have as future stepdad. And then there is Abby Suso, a girl Leah isn't sure she likes her or not but when things start to question about relationships, Leah doesn't know if he can accept Abby as someone as a close friend... or some thing more.
The beginning is some what unimpressive and it was later on, it slowly picks up. I can't seem to find what was the purpose of this book as it felt like it starts off in the middle of every thing. And then, its pretty much how young adult books are written, only with cynical wit and lots of waffles, cuss words and I-am-not-sure-what-I-want-in-life moments. There are times it is funny, and I really do start to like Leah and the rest of the characters on the later part of the book. But from how it really starts off and towards the end, overall its not that bad. Its just not better. Pretty much normal but in a realistic way. To me, this is a 3.5 out of 5 star rating. If you love the first Creekwood book, you will still enjoy the second, just no better.
I have read a few LGBT books before, I do enjoy them by how its written but missing out Simon vs. the Homo Sapiens Agenda when it was first published in 2015, I finally get around reading it. Part of reading this book was because of the movie (which I have yet to watch still, and its not showing in my country) but to get my hands on a hardcover edition, was never a regret moment. It took me a few weeks to finish when it should be just a week but I bid my time to enjoy it, which I did.
There is much to talk about Simon but I am not going to spoil much of it but share my thoughts what I feel towards it. For one - I love the writing. If there is any thing that should be written for a young adult love story, this is it. It feels so natural the exchange dialogue between characters that is real enough for me, I had a great time laughing. The characters are wonderful and memorable. There's Simon, who really is not an open person and afraid if he openly tells people he is gay, his family and friends may not accept him. Leah, Abby & Nick, his closest friends shares their acceptance and arguments with him like friends should be is just lovable and cute. And then of course, the chapters of exchange email letters. It just felt so natural, like peeking into someone's life with interest of course. I mean, we all do that some times. And then, what the main theme is about this book that makes it worth reading - open up ourselves to the world and its not about being open up of being gay, but by who we are opening up to the world of what who we are instead of just pretend to be who we are not. I love the writing of it that really have a good lead towards it, with of course a few mushy lovey-dovey teen drama in it (which is why I dock off one star and giving it a four). In all its worth, I really enjoy it.
To me, people should read this. It has this feel good feeling, the coming-of-age-out-of-open-up young adult book that I would recommend anyone reading it. I am looking forward to reading the next Creekwood book, Leah on then Offbeatafter this. If you haven't read this, please do. This is really a good read.